So much of Control, Remedy Entertainment’s 2019 paranatural shooter, sticks with me today, but the one thing I really remember is its lore. Its setting, a Brutalist Manhattan office building called The Oldest House, is littered with paperwork covered in black redactions, so much of which explains (or hides) what exactly is happening at the Federal Bureau of Control. It was so memorable that, these days, I can’t see blacked out text without thinking of Control.